priyalsarvaiya

# College Name : Maharani Shree Nandkunvarba Mahila Arts And Commerce College.   # NAME :- SARVAIYA PRIYAL  #Course Name :- TYBA #Sem :- 6 # Subject :- Major:- 16 # Subject Name :-Modern Literary Criticism.             ❇️ CLASS ASSIGNMENT ❇️ ✴️ Explain the main features of Structuralism and discuss what structuralist critics do while analysing a literary text. Answer:- 📚Structuralism: Main Features and the Role of the Structuralist Critic        Structuralism is a critical approach that emerged in the 20th century, mainly influenced by the linguistic theories of Ferdinand de Saussure. It argues that meaning in language and literature is not produced individually or naturally, but through underlying structures and systems of signs. (I)Main Features of Structuralism:- 1️⃣ Language as a System of Signs:- Structuralism is based on Saussure’s idea that language is a system of signs. Each sign has two parts: 👉Signifier – the s...

# College Name : Maharani Shree Nandkunvarba Mahila Arts And Commerce College.   # NAME :- SARVAIYA PRIYAL  #Course Name :- TYBA #Sem :- 6 # Subject :- Major:- 15 # Subject Name :- Foundation Of Literary Criticism.           ❇️ CLASS ASSIGNMENT ❇️ ✴️  Unit 1: Literary Theory and Criticism – An Introduction.✴️ It explains the meaning and scope of literary theory and literary criticism. 🔹 What is Literary Theory? Literary theory is a set of ideas and approaches used to understand and analyze literature. It provides different perspectives (like formalism, feminism, Marxism, psychoanalysis) to study texts. 🔹 What is Literary Criticism? Literary criticism is the practical application of literary theory. It means analyzing, interpreting, and evaluating literary works to understand their. 📚 Scope of Literary Theory and Criticism: The chapter explains that its scope is broad and includes: (1)Interpretation of Texts :–  Underst...

# College Name : Maharani Shree             Nandkunvarba Mahila Arts And     Commerce College.   # NAME :- SARVAIYA PRIYAL  #Course Name :- TYBA #Sem :- 6 # Subject :- major 14 # Subject Name :- A Study of Indian English Novel And Short Stories.                    ❇️ CLASS ASSIGNMENT ❇️ Explaine the characters :-  ✴️(I)Toba Tek Singh      by Saadat Hasan Manto✴️ *Primary Characters ➡️(1) Bishen Singh (Toba Tek Singh):- A Sikh inmate who has been in the asylum for 15 years. He is known for standing constantly, rarely sleeping, and speaking in strange, meaningless words. He represents the pain of Partition, eventually dying in "no-man's-land" because he belongs to neither country. ➡️(2)Fazal Din:- A kind-hearted Muslim friend of Bishen Singh who visits him after 15 years to deliver news that his family is safe in India. However, his vague answers about ...

SEC ASSIGNMENT  September 13, 2025 Name: Sarvaiya Priyal  TYBA Sem 5        ❇️ CLASS ASSIGNMENT.  ❇️ ✴️ Critical Thinking – Concept :- • Critical thinking is a rich concept that has been developing throughout the past 2500 years. • The term “critical thinking” has its roots in the mid late 20th century. We offer here overlapping definitions, together which form a substantive, trans disciplinary conception of critical thinking. 👉 Example: If someone tells you a news story on social media, a critical thinker won’t blindly believe it. Instead, they will check the source, evidence, and logic behind it. • Critical thinking is defined as an ability to analyse information and experience in an objective manner. • According to Jones, (1996), Critical thinking is generally agreed to include evaluation of the worth, accuracy or authenticity of various propositions, leading to a supportable decision or direction for action. 👉 Example: Before buying s...

                                                      ❇️  CLASS ASSIGNMENT   ❇️          The Rasa theory of Bharata  ✴️ Introduction :-  1 ) Theory of Rasa :-  The theory of Rasa-Bhava establishes a relationship between the performer and the spectator. The model spectator is a Sahrdaya, someone ‘who empathizes with the author.’ Since the success of a performance is measured by whether or not the audience has a specific experience (rasa), the spectator becomes a vital participant in the play. Bharata calls human soul as Bhava-Jagat (the world of emotions). Bharata and later authors explain how the Art universalizes emotions making them an instrument of appeal to the spectators. They say that the actor acts as bearer, media and connector of emotions of the character. By conveying emotions the actor step by ...